Last week was not a great week, I have to say. There were some unfortunate things. There was the slippery ice on the highway, the sinking feeling in my stomach as the car spun around, and the muffled crunch of metal as the front end smashed into the guardrail. There was the death of Kitty, the dog my family got when I was but a teenager. There were some other sad things that I’d just as soon forget, as well, but unfortunately, 1) I have a good memory, and 2) Forgetting things doesn’t really help. Like in that movie “Endless Sunshine of the Spotless Mind.” Forgetting all that crap didn’t make Jim Carrey or what’s-her-name any happier. And we learned that even though bad things happened to them and their relationship didn’t turn out as they wanted, by forgetting it all they also forgot the good things (and they were cheating themselves by not being honest about what happened in their lives, good and bad). And then Frodo, like, tried to seduce what’s-her-name with the information from her stolen memories. That was weird.
Anyway, point is, bad week. But nothing cheers me up like pretending to be a critic. And I realized the other day that I actually heard more than 20 new albums that came out in 2005. So, I can legitimately make a list of my top 20 albums of the year (although it’s a month and a half late). Once I realize that something like this is possible, there’s no stopping it from happening. You’re just going to have to read it.
Countdown-style:
20. Beck, Guero
Pretty good stuff from Beck. I found this to be a really top-heavy album, which I listen to through track 7 or 8 and then shut off. But that stuff at the top is pretty good. He’s back to his “Odelay” sound on lots of the songs but it’s darker and less out-of-left-field wacky than his early stuff. Best song: Earthquake Weather.
19. Rogue Wave, Descended Like Vultures
This band sounds pretty Shins-like to me, except not as good as the Shins. They’ve put together a good, poppy album that is, at worst, easy to listen to all the way through, and it does have a few moments of transcendence when it all really clicks. Best song: Catform.
18. Fiery Furnaces, EP
I really, really like the Fiery Furnaces. This is merely a collection of B-sides and leftovers, and it’s still damn good. They are musical geniuses and I have to love their quirky songs and interesting sounds. That said, sometimes their lyrical quirkiness goes a little far for me and gets kind of annoying. A couple of songs on here do that to me, and that keeps it from being a top-echelon record for me. Best song: Here Comes the Summer.
17. Caribou, The Milk of Human Kindness
At times dancy, at times somber, at times funky, at times just involving. It’s good stuff and I enjoy it when I listen to it, but for some reason I don’t put it on very often. I think it just doesn’t grab me as much as some of the other stuff on this list, but I do like it a lot. Best song: Yeti.
16. Soviettes, LP III
A co-worker gave me all the Soviettes’ stuff and I’m digging it. Nothing too fancy about this, just good old fashioned punk. But sometimes that’s what I’m in the mood for. Not postpunk or punk-pop or whatever the hell Fall-Out Boy is supposed to be, just regular old punk. This does the trick. Best song: Do The Stagger.
15. Andrew Bird, the Mysterious Production of Eggs
Smooth and extremely well-written stuff that just seduces my ears. Definitely one to put in for those mellow moods. Wow, did I just write that? Best song: The Naming of Things.
14. Rosebuds, Birds Make Good Neighbors
These crazy little lovebirds write some sweet melodies, but there’s an edge to many of them, too. A very sincere, heartfelt album, which, for some reason, I appreciate now more than I used to. Best song: Boxcar.
13. New Pornographers, Twin Cinema
Yeah, they’re good and all. Lots of variety and lots of tightly written, well-done songs. A good listen. So why don’t I like it more? Not sure. But it did land at #13, which isn’t too bad. Best song: Sing Me Spanish Techno.
12. LCD Soundsystem, s/t
I don’t dance. I don’t go to “clubs.” I sometimes wiggle a little while I’m doing the dishes. But I still like this. I’ve heard it described as electropunk or discopunk or something like that. That’s about right. And you have to give it points for being two full discs of songs and never getting monotonous. Best song: Really hard to say, but right now I like “Movement.”
11. Wolf Parade, Apologies To The Queen Mary
This is good music. Lots of energy, lots of noise, well-done all around. Best song: Shine A Light.
10. Franz Ferdinand, You Could Have It So Much Better
OK, maybe not quite as good as the first album. But still very good. Nothing fancy about this, either. These guys are just really good at doing the jagged guitar thing and writing hooky, crankable stuff. Best song: You’re The Reason I’m Leaving.
9. Clap Your Hands Say Yeah, s/t
I think this is one of those bands that’s going to blow up Modest Mouse-style sometime soon (they’re close already). They are different enough to be interesting and good enough to not be annoying. This album has a lot of great stuff and I often can’t get that guy’s voice out of my head. Best song: Over And Over Again (Lost And Found).
8. Bloc Party, Silent Alarm
It took me a while to hear this one, but I’m glad I got around to it. Like the Futureheads and Franz Ferdinand (and Gang of Four and a bunch of other stuff before them), this band pretty much just rocks in that perfectly British way. Don’t you love that I can provide you with that kind of deep analysis? This is why I can only pretend to be a critic, not actually be one. Best song: Like Eating Glass.
7. Thunderbirds Are Now!, Justamustache
My mom hated this album. It must have been the hyperactive keyboards, stabbing bursts of guitar, screamy vocals and spazzy attitude. Well, I like it. A lot. Best song: Many good candidates, but I’ll say Better Safe Than Safari.
6. The Joggers, With A Cape And A Cane
I like the Joggers. I saw somebody write that they were like Pavement combined with a barbershop quartet. A little bit. Mostly they just write good, tight, groovy tunes and they do some nice vocal layering. Best song: Wicked Light Sleeper.
5. Blood On The Wall, Awesomer
Probably the hardest rocker on the list. It reminds me a lot of the Pixies, partly because the dude’s voice is a lot like good old Black Francis at times, but also because they have a similar sound. Of course they don’t approach Pixies brilliance, but even getting halfway there is pretty good. Best song: Reunite On Ice –or– Gone (can’t decide).
4. Sufjan Stevens, Illinois
Sufjan delivers lots of delicate, tender, folky music surrounding quirky narratives about the state of Illinois, managing to sound light and upbeat even when the songs are about John Wayne Gacy and a girl who died of cancer. Brilliantly woven and almost spiritual at times. Best song: Casimir Pulaski Day.
3. Okkervil River, Black Sheep Boy
It only took one listen to know that I was hearing something special here. This is like a concept album that goes to lots of dark places in the human experience and heart, but with a kind of passion that makes you feel like the pain can be overcome. The kind of thing that could be lame and trite in less skilled hands, but perfectly done here. The singer sounds tortured and soulful, the music is beautifully arranged and I came away incredibly impressed.
2. Architecture in Helsinki, In Case We Die
This is like what Old Country Buffet would be like if Old Country Buffet had any good food. A little bit of this, a little bit of that, a little bit more of that, a tiny pinch of something else, and a big helping of “Holy crap, this is good stuff.” No two songs sound the same but they all sound good. Lyrically, they give you a nice mix of sweet/cute/wistful/melancholy/optimistic/regretful/deep/shallow. Best song: It’s 5!
1. Art Brut, Bang Bang Rock And Roll
These guys do a great jaded, sarcastic, art-punk thing without coming off as snide. Just clever, funny, and brilliant. Their songs hit hard and dig their way into my brain, and the lackadaisical half-spoken singing is a perfect match for the tone of the lyrics. The songs are tight, fast and well-formed. These guys are coming to the Entry in March and I can just tell it’s going to be the kind of show that will have me reeling. Best song: Impossible to choose, but I keep going back to Modern Art.